References available upon request.
Constance is a set and costume designer based in London. What she really appreciates about theatre and performing art in general is the collective effort leading to a performance. She designs simple and poetic spaces to enhance and engage with the audience’s imagination beyond what they can see.
She is currently the set and costume designer for I and the Village (dir. Rebecca Pryle & Velenzia Spearpoint, Bread and Roses), Labyrinth Diet (dir. Charlotte Everest, The Space), Look who’s all grown up (dir. Ella Murdoch, The Space), Refuge (dir. Jess Barton, The Space), Misfits (dir. Bethany Sharp, The Space), @emele (dir. David Willcock, Oxfordshire Contemporary Opera), Love, Genius and a Walk (dir. Leah Townley, LGW Productions). Her most recent credits include Tell it Slant (director Erica Miller, Merry Spinsters), Miss Julie (director Gavin McAlinden, Acting Gymnasium), A Doll's House (director Gavin McAlinden, Acting Gymnasium), Macbeth (director Gavin McAlinden, Acting Gymnasium), The Seagull (director Julien Balajas, Tamise en Scene), The Frogs (director Zara Walwyn, Wallfrog LTD), Dare to Dream (director Karen Gillingham, Buckinghamshire Music Trust).
Previous work includes Jekyll & Hyde (director Jonny Morton, Chickenshed), Made in Dagenham (director Justin Joseph, Edinburgh Fringe), The Day Dawns (director Freya Wynn-Jones, Royal Opera House), Fémur Marker (director Caroline Lena Olsson, Tamise en Scene), Alice through the looking glass (Britten Sinfonia), Hunger (director Freya Wynn-Jones, Helios x English National Opera), Threads of the Past (director Freya Wynn-Jones, English National Opera)…
Constance holds a master’s degree in scenography from the Royal Central School of Speech and Drama, a bachelor’s degree in technical theatre, specialising in design realisation from Guildhall School of Music and Drama. She has also completed a bachelor's degree in spatial design, focussing on set design, architecture, and landscape design at École Nationale Supérieure des Arts Appliqués et des Métiers d’Art – Olivier de Serres in Paris.
Constance has also worked as a model-box assistant for a number of designers, including Dick Bird.
Constance is a member of the Society of British Theatre Designers, Whitecard Collective and Mrs C's Collective.
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